Bruce Campbell and 40 years of building The Evil Dead Myth | MCUTimes

Bruce Campbell and 40 years of building The Evil Dead Myth

No matter how much he now thinks of that time in the woods, it certainly paid off. With its extreme use of gore, grandiose camera movements and film-making flair, The evil death remains a unique experience – one can even say exhausting. It paved the way for successors like Evil Dead II and Army of Darkness, plus the much later TV series Ash vs Evil Dead. And for Campbell, there is something particularly provocative and lasting about the first effort.

“Sam is a good filmmaker and he has sequences in there that are very visually impressive,” Campbell says. “So he kind of pulled them in, stylistically. But it’s also a kind of docu-horror, the way we actually shot it in a real cabin in the middle of nowhere. You can tell it a little bit so it seeps into the movie. ”

When looking at how The evil death was made in relation to Campbell’s Starz TV series, the actor points out what a difference professional expertise makes, as well as how it can change the inner dirt and grime under the nails that the audience can intuitively feel while watching such a movie.

“Primarily Evil death“Ash hears a noise at a window, he sees a shadow, he turns with the shotgun, and he blows the window out,” Campbell said. “Well, in 1979 in rural Tennessee, you just take a shotgun and you blow the window out. There is no stunt guy. There is nothing…. And then when you reach Ash vs Evil Dead, I would lift the shotgun and a guy on the set would go, ‘Ready and bang!’ When he says ‘Bang’, I would jerk the gun and a guy on the set hits me with an interactive light for the flash. And they put a digital flash in whatever length you want, any color we want, and a big plume of smoke and a sound effect from a Howitzer cannon. ”

Campbell admits it’s safer, but it loses the handmade quality that does The evil death still both so creepy and, depending on the audience, funny. When asked if he misses the old ways, Campbell admits: “I only miss it a little bit, because a lot of stupid things were done on film sets back in the day that should not have been done. We slipped around security materials, and film sets are much safer now. So I’m taking safety now, but the funny thing is, we just did not know any other way. ”

It is safe to say that they would not do so The evil death today as they did then, but then it is the charm of the original and the root of the stories we tell about it. Even compared to sequels and spinoffs, where Raimi’s camera rigs became more detailed and Campbell’s performances got better with each sharpened visecrack, there’s nothing so chilling as watching actors really freeze a winter night.

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