How Denis Villeneuve's clit avoided using a green screen | MCU Times

How Denis Villeneuve’s clit avoided using a green screen

Dune production designer Patrice Vermette decided to use painted scenery instead of green screens to create a more immersive environment.

To further help immerse the actors on the set, Dune avoided the use of blue and green screens. For as big a movie as Dune, it would make sense that the production designer and director would rely on the proven method of using green or blue screens behind the actors to help create the alien environments. The use of such technology has existed almost since the beginning of film production, with actors performing against a solid green or blue backdrop, which would then be removed by the visual effects team and replaced with either a matte painting at the time or, more currently, computer-generated environments.

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Since Dune includes a wide range of places that can not be recreated on Earth, the use of green screens by Denis Villeneuve, the film’s director, would not be surprising. The film is based on Frank Herbert’s novel of the same name, and he imagined some unique examples for the background of his book. For example, the planet where most of the action takes place, Arrakis, is said to be made entirely of sand. So for the images where the characters are in the desert, the scale has to be made with special effects. The same can be said about the leader’s palace on Arrakis, described by Herbert as the largest palace ever made by humans.

Related: Why Dune 2021 Can’t Be a True Book Adaptation

But instead of relying solely on green or blue screen technology, Patrice Vermette, Dune’s production designer, went with a slightly different method. In an interview with / Films, Vermette described her idea of ​​using painted fabric for some sets of backgrounds instead of just a generic green screen. This created an atmosphere similar to that of a stage play where the scenery was made on painted pieces of fabric that would help immerse the actors in their placement. It also made it possible for the visual effects artists to have more precise lighting for their work. Vermette said the use of the painted pieces of fabric prevented any unwanted shade of green from appearing on the actors or other scenery.

“The approach has always been that more is not better. For the actor and for Denis and for the crews, they are in the room as opposed to using the green screen. So then of course we had the limitations on some of the scenery, not all the sets, but some of the sets we had restrictions on space because some of them were also only for budgetary reasons.So we had to come up with a few tricks, like moving the wall that would create another space And another trick was to build everything, that was higher than 24, and sometimes 30 feet, entirely of fabric.

We would continue to build the sets in fabric, like fabric on frame, paint them in the same color as the average color of the sets. And that technique we use only for what was going on in the city. That technique would dictate where the light would come from and the obstacles that the light would hit. So the sets would be illuminated, it would help to illuminate the set correctly to represent what was on the concept part. It would also indicate for VFX, the areas that needed to collide with the right texture. Overall, it provided the right lighting environment so the VFX part would be better integrated. So the light is not polluted by green. It all creates this world, it makes it more genuine.”

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The use of large painted pieces of fabric most likely allowed the actors to feel surrounded by the environments they were supposed to be in, instead of looking beyond the edge of the set and seeing a location here on Earth. Traditionally, when actors are filming on location or even on a sound stage, the scenery has limitations and boundaries that are easy to perceive. By creating such a large, immersive environment for Dune it’s budget friendly, Vermette and Villeneuve gave the actors space and space to develop their characters organically. They also helped the team with visual effects with any lighting issues that may have arisen using a green screen.

The use of the painted sets and scenery was undoubtedly successful. The scenography and visual effects of Dune was flawless and felt quite immersive to the viewer. It also seemed to help the actors on their journey as the entire cast seemed to be dedicated to the bows their characters took. The result was an incredible achievement in film production, which will definitely do Dune a challenger comes awards season. Without so innovative and creative work from the whole cast and crew on Dune, the adjustment would certainly have fallen flat.

Next: Dune 2 story: What happens next in the books

Source: / Film

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