Marvels Elektra faces a murderous past in Daredevil: Woman Without Fear (review)

Daredevil: Woman Without Fear # 1 by Chip Zdarsky and Rafael De LaTorre is an exciting take on what motivates Elektra to fight crime.

While Kingpin makes a powerplay against New York City’s heroes in The Devil’s Reign, one of the city’s newest vigilantes embarks on a self-discovery journey. IN Daredevil: Woman without fear # 1, a ghost from Elektra Natchios’ past comes back to haunt her, causing her to reflect on her vigilant journey. The book is written by Chip Zdarsky and drawn by Rafael De LaTorre and is an intriguing character study that places Elektra’s self-doubt as her worst enemy, while questioning whether she can let go of her past to become the woman she wants to be. be.

Daredevil: Woman without fear # 1 opens below The Devil’s ReignElektra tries to kill Kingpin. But when Fisk reveals that he has passed on important information about her background to a mysterious party, Elektra withdraws to pursue the truth. After a sore night with Matt Murdock, Elektra visits some of the most significant places of its past. Elektra gets a glimpse of Aka, a woman who helped train her when she was young. Elektra’s hunt leads her out of town, and a threat from the shadows reveals that her hunt for answers has taken on a more literal meaning.

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Just as much as Chip Zdarsky’s vovehals has been about Matt Murdock’s downfall and redemption, the series has also been about Elektra’s rise. After spending most of the last year in Matt’s shadow, Daredevil: Woman without fear gives Zdarksy a chance to dive into Elektra’s motivations. The story’s streamlined focus provides intriguing insight into the guard, as readers see Elektra being mocked for her emotions and slowly shaped into a cold, heartless assassin. Zdarsky’s Elektra is torn between her love for Matt and being the weapon others have made her. Now facing the threat of having her past used against her, it becomes interesting to see if Elektra can move on and accept her true self.

Throughout Daredevil: Woman without fear, Rafael De LaTorre adapts his artistic approach to give each scene a unique quality that reflects its role in the larger narrative. Elektra and Kingpin’s opening confrontation is scratchy, rough and covered in textures that match the tension between the two. In stark contrast, Elektra’s emotional embrace with Matt is significantly purer as the longtime lovers open up their bodies and souls. However, the true crème de la crème in De LaTorre’s work is the different fight scenes of the edition. These sequences, primarily told through flashbacks, have kinetic energy that matches the emotional weight that Elektra projects on them through its narrative. In addition, this approach immediately frames Aka as an important figure from Elektra’s past, as De LaTorre’s work focuses on Aka’s ominous presence and physical superiority over the future-Daredevil.

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Daredevil: Woman without fear # 1 is an excellent example of the impact that a book’s coloring can have on the overall effectiveness of the narrative. Federico Blee’s work exceptionally complements De LaTorre’s artwork by using rich color washes to create immersive atmospheres. The blue and gray colors of Kingpin’s office make it feel gloomy, which is in stark contrast to the loving reds and oranges in Matt’s home. The use of these colors evokes a subconscious emotional reaction in the minds of readers. The book’s colors strike at the intent of the sequences and reinforce readers’ connection to Elektra’s struggle.

Daredevil: Woman without fear # 1 successfully builds on developments within vovehals and The Devil’s Reign to push Elektra’s continued character arc forward. Zdarsky, De LaTorre, Blee and the entire creative team create a welcome starting point for new fans who promise to provide answers to longtime readers. While Kingpin’s war with Daredevil threatens New York City, Daredevil: Woman without fear shows that Elektra’s personal struggle is just as convincing.

Keep reading: Marvels Elektra: Black, White and Blood # 1 comic book review

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